That said, I have to absolutely give props to the use and reverence of both actual World War II experiences and previous MoH stories told in "Medal of Honor: Above and Beyond." Respawn went to such depths to use the real experiences of World War II veterans to craft this game that there's actually a gallery of both interviews with still-living folks who fought in the war and 360-degree on-site referential material used to craft different locations of the game, such as a look at a crumbling German bunker on the beach hillside of France. For me, sometimes it makes sense and sometimes it was a bit too disjointed. Nonetheless, this is the mode by which "Medal of Honor: Above and Beyond" chooses to deliver both its story and action.
Other times? Well, I'm not so sure I needed a completely separated segment in which I learned that one of the characters enlisted in armed forces despite lying about their age. There's a raid on a Gestapo Headquarters, a guns-blazing escape on the back of a supply truck through German hillside camps, a mission in a plane, and a harrowing venture on skis that are all very technically impressive. I'd put its depth of environments up there with "Half-Life: Alyx," but Respawn also broke this game into a ton of smaller segments for what I feel was to better deliver the story. There are a few things that might explain that (because something should for a 170GB download). "Above and Beyond" is maybe one of the most resource-heavy VR games I've seen.
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